Sunday, October 25, 2015

The Dead Sea


Mudcaked,  head to toe, covered and cracked,
Beneath the level of seas with less salty brine,
We cover skin and suits from out of muddy vats
While beyond the saltiest one we spy

The lilac hills of Moab. And here, where
The sun shines far and hard but never close,
I hear a voice or two from Lancashire;
Same yet paler people than our eastern hosts.
 

Pale legs as white as the nucleus of the sun,
Orthodox Jews, father, mother, little girl,
Whose strange northern voices, stand among
Us on this small shore, the other side of the world. 
.
And this sea, dead, alive only in a glazed shine.
Where nary a boat is ever detected,
Nor no fish below on which to dine,
Stirs only with clouds so vaguely reflected.
 

The pasty-thighed wife is in her one piece 
Costume. Above this, her wide brimmed hat
Covers a modest head.  God’s law is appeased.
Among the salt and shine all is fine except that

Her mud stained costume does not do the same.
For in her nether region semitic, wiry, thin
Curls, a grove amid the desert, entwine a leg untamed 
Like the asp round the tree that sent the world to sin.

A small brown bushel of her pubic hair
Peek-a-boos from without and I feign to ask
If her god, unlike me, will overlook down there.
But no answer will come from beyond the vast

Wide waste of time. My thoughts are mere
Reflections like the glass of the salty sea
Whose mirrored surface gleams bright and as clear,
While under the deep is deeper uncertainty.
My uncovered dome resists the heat of
The sun. I am now buoyed by water as I cast
Off desert mud as it falls in brown clumps.
My feet pierce the surface like pale sails on masts.

The tear of one sail is the sharp cut between toes,
The result of new sandals, now forgotten pain.
But the salt-sting leaves me in the throes
of chemistry. Here is remembrance again.

There the purple hills speak to another space
Where the King of Moab, the old coot,
Has neither the time nor will to waste
On frail floating enemies with one wounded foot.

Saturday, October 24, 2015

Modern Sisyphus

Sid's fuss was he walked and plodded and walked
At a forty-five degree
Angle (if, in geometrical talk,
you were inclined). His knees heaved heavily    

Like two brains weary of the skin they’re in
And, needing much required rest,    
Aspired to be on level ground again.
Both bone and mind worked hard to do their best.

The central source, the one inside his skull,
Like the popliteal joints, also
Throbbed as he pushed thoughts up a cerebral hill.
Ideas on high and laboured, he feared, roll

Right back down again. So life of mind he deemed
An everlasting upward push                                       
Where thought was naught for naught and all seemed
Worthless. Interruption was a singing thrush

In a garden. Lush vegetation grew in spurts.
Between leaves a porcelain god
Sat smiling. A spinning pinwheel (to scare off birds?)
Pierced the ground of this strange slope of sod.

The bloated god in the garden was not winking.
Here the illusion felt firm.
As the slippery slow sun began sinking,
The wheel simply danced shadows on his face as it turned.

This sight caused a rolling but without the care
Though the thought failed to waiver.
His mind let it roll and fall everywhere
And Sid self-promised, on a slant, to love the labour.

Tuesday, July 7, 2015

Amor et Mulsum

I raise a wine combed glass to a dangerous height
And she takes a resolute but careless bite
Of her bread with brie and drip-laced honey.
I hold it heaven-high so as to toast the sight

Of her black nightshade eyes and the sunny
Wave of each yellow tress and her funny
Ways that belie indifference and doubt
In a smile that first did sit me down and won me.

The swirling wine cleaves to sides and dances about,
Around the inside of the glass and some without.
It heaves with a swing to the rim of the tip
And drips much like the same sweet honey from out

Of coy, supercilious and smirking lips.
I resign to take yet another small sip.
Instead hand and glass like a hammer roars down
Once more, and again, and again, in vertical rips

That fall, explode on, a crash of a crown.
There red wine blood and sweet amber all round
Mingles and merges.  The deed did send
(At last) her lips toward mine. A lifeless head abounds

In a sweet and dry brine. I did kill her then.
No need to sit and wonder could I do it again.
For the very act, seemingly, dared to decree
That with strange mix of sweet and sour, I did bend

Her will toward mine. As far as I might care to see,
I procured that honey from a miserly bee.
On passion's whim, either wrong or right,
I doused with wine the sweet sting that stung me.

Sunday, June 28, 2015

The Persistence of Illusions

Does every moment in time already exist?
Can an eager eye spy all of space
Before us as the distant void it is?
I walk with illusory sight at a pace  

Through a world I think is yet to be.
This same eye in succession blinks
And the world unfolds itself fragmentarily.
With blinking rapidity the eye it thinks

Time and space are bits of demarcated frames
Like reels in mechanical rewinding,
Not seeing each and every moment as the same,
One swell, a universal expanding.

I am in the world like my sight is in
My eye.  And it is the other “I” that inclines
To conceive himself the creator within,
The prime mover that birth the signs

And wonders and every thought that
Arises. There is in turn felt a “me” within
Spied by an inner eye, a searcher enrapt,
Not creator, but hunter for a ‘him.”

Thinker and thought, time and space are same.
And like the light upon the water that gleans,
So dance many lively charges atop the brain,
Sparking persistence of things that seemingly seem.



Wednesday, June 24, 2015

The Chinese Gardener

Just another early morning walk past
Suburban yawning houses
       No different than the morning last.
   Each house with sleepy pride announces

At their feet sit pretty Jersey gardens.
     And the mindless clod trods through
One with a thousand beg your pardons.
       With western plod he traipses into

Some eastern loves and old enchantments
        With crowns of cabbage tops and rows
Of reddish roses. A dream, he thinks,
   That's ushered in by oriental blows

    Of wind which brushes leaves and slips
Over ringlet stalks like wedding bands
         Over blushing, rosy finger tips.
     Amid the cultivated patch stands

      The wordless cultivator. Child sized,
    She is sleek in black to the teeth.
  A conical hat, bamboo-leaved and wide,
Shades the gaze of exotic eyes underneath

That fail to look or heed his remorse.
    She stoops to dig with ungrowing glee.
  And a stab of the earth with delicate force
          Sows this garden of deeper mystery.

His mind digs with a thousand if's and so’s
    As the morning continues a silent call.
    She digs, aloof, heedless, with a garden hoe.
 Death plants seeds at less than five feet tall.

      A sedge wide hat that's fixed to a point
Where seed-love growth anticipates birth.       
         Yet rich brown soil is balm to anoint
     The many beds of subterraneal earth.


Saturday, April 25, 2015

Morning on Masada

On my visit to Israel I made a pilgrimage to Masada. Not quite Chaucer-like, it was on a bus through the desert but with no less a diverse group of folks from round the world. We were led intelligently by a wonderful little sage, our guide, Uri, who tirelessly kept our curiosity at the ready with his wonderful explanations of practically every crevice in every mountainside as the bus roared through the Judean Desert. And there is plenty of desert. It may seem trite to say also plenty of history. It stretches as long as the rocky, arid landscape. How lucky are we that sages of days of yore hid their papaya manuscripts within the cavities of the very mountains we spied from our bus window? I think, plenty. Thank goodness for all these scribes. I thought of this whilst on the journey toward our ultimate destination, a place alive thanks to the remembrance of history: Masada. For those possibly familiar with the name—and may be even the film of the same name---but not so much a geographical grasp, Masada is a large, mountain plateau in the eastern part of the country standing at the lip of the Judean Desert. It is the very desert we traveled. It is also along the Dead Sea, just a stones throw away. And stones do abound. If you’ve ever wondered why, in that ‘good’ book, stones are often a prescriptive tool for sponsored assassination, go to the desert. Stones are aplenty.

Our destination, our large “stone,” Masada, reaches skyward about 1300 feet above the Dead Sea where the peak of the mountain does in fact plateau flat like a mesa. It’s a very large, stony tabletop. Mercifully, tourists like us could be lifted to the top mechanically thereby saving the body from an excruciating hike up the side of the mountain on foot which, too, can be done. One can hike either side of the mountain. On my visit one of my fellow pilgrims, the young strapping lad of the group, forewent the cable car and bravely hiked the side. When eventually reunited with the rest of us at the top his face bore such a deep, anguished red as to look to my eyes like a soft black.  His own eyes were like slightly lit pieces of coal. I don’t know if I ever saw in those embers such exhaustion. At least, I think so.  This, too, is hazy as the sun altered my vision and brain.  Everything seemed a hot, white electric buzz. Yes. There is no hiding from it. Make this pilgrimage in the summer in any form and you are doing it under a hot white sun that is equally blistering and unforgiving. Masada, it has been pointed out as a prescriptive more than once, should only really feasibly be done in the morning. Any later would be excruciating. This point will make the history all the more incomprehensible.

Historically, and put rather too simply, Masada was to be the final destination for contumacious Israelites on the run. Rather than fleeing this same seeming unceasing sun they moved closer to it in order to escape the equally sweltering oppression of Roman persecution and rule. And it was this large, flat, dusty expanse which became both settlement and fortification for rebellious Israelites demanding emancipation from on high. The Romans of course, having none of this, lay siege spending their time at the foot of the mountain devising ways to penetrate the mountain, or at least hoping to wait them out. I recall Uri explaining how a bridge was built by the Romans through the use of those Israelite slaves with nary the luck to have escaped. This bit of engineering was implemented in hopes of, as it were, bridging the gap between them, the Romans, and their target. That target, of course, being the new inhabitants of the top of that plateau. It is a story that emanates and still rings loudly. If you are there walking the terrain it rings louder still.

Anyone at the top of this plateau today worries about nothing less than staying hydrated or keeping dust from a camera lens. He also does not have Centurions waiting to shackle at the bottom of the rock.  We are free to roam what was once the existence of a small society. As you do mingle in and out of each room or crevice, you get the feeling of a kind of ‘tough comfort’ domesticity. The place, naturally, is only a pale, wind driven ghost of itself, but with enough imagination one can still place hewn brick and mortar, and colour in to it. It may be much like knowing the Parthenon only as we can know it today, as a skeletal but beautiful ruin. However, when a clever graphics expert ably recreates it in all its former glory, we then see the vivid impact of the original and so different than the ruin we know and love.

There are, for example, the baths, now bereft of any water, with the small columns still rigidly rising out of the dusty bottom. These columns presumably would hold tiles where the bathers could sit above the steam coming from the water below. With the tiles since gone, the columns are exposed. They still hold their rounded features with a flat top though time has reduced these tops to unequal sizes resembling often used erasers at the end of pencils. There are the small dusty rooms, proof of domesticity, some of which still carry proof of breathtaking design. In a few you will find the beautiful and complicated remnants of a mosaic pattern in the floor and walls. It is enough to make one smile to think that among all the practicality that comes with desperation, these inhabitants still found the need to decorate for the sake of aesthetics. One must constantly pass through small arch top passage ways to get to these enclosed rooms which, in my own emotional appeal, added an almost ‘sacred’ element to every entrance and exit.

Outside in the open air, one finds walls and mazes that lead to steps and brings one to all different aspects and levels of the plateau.  It was out here that Uri, beads of sweat dotting his sweet bald pate, explained in proud, almost nationalistic explanations, how the Israeli’s bravely and single-mindedly defied the Romans. They not only demanded freedom, we now know they would rather have not lived than to be bound by others than themselves. Uri described all this in is more than charming Israeli accent as we all stood just over a slightly vaster than usual smooth decline that led to a lower level of the mountain.  It was this scene that turned Uri’s description of the bravery and single-mindedness of defying the Romans to the more practical need of collecting water. He described how they would make the small trek down this particular decline of the mountain in order to collect the so very necessary rain water caught within one of the very ingenious aqueducts. Upon describing this, I could not help but notice that the trek down the mountain toward the all-important water system brought one dangerously close to where a portion of the Roman army purported to have staked them out. This captured my curiosity. I asked in the simplest way possible of Uri, who exactly owned the arduous task of fetching and bringing this water to the rest of the community? With not a hint of irony Uri turned to me and in that same accent that transfixed me to every syllable, and said so very matter of factly, “Their slaves.”

Is 73 A.D. just too far in the distant past to create a causal argument they did good with their sacrifice? Can we say it made a palpable difference today? Because of this distance, I believe, it is too hard to tell. I hope this does not make me sound nihilistic in my approach toward doing anything in hopes of affecting the future. Could what I do today affect circumstances fifty years from now? I think it’s safe to say it is a possibility. But, what of 5,000 years from now? The prospects become as vague and hazy as the heated Judean dessert. But, they did make history. Of course they did as we still talk about them today. And this is an extension of learning. We are learning through history.  We’re still visiting their chalky and arenose ghost town at the top of a mountain. What is left is a weather worn former community and ghosts of history.


Uri’s explanation about slaves fetching the water reminded me that even a King resided on that mountain. It also reminded me of philosopher Walter Benjamin’s notion that what drives revolt and the need for progress is not “dreams of liberated grandchildren” but rather “memories of enslaved ancestors.” It might be important to remember even this enslavement was by degrees. The great equalizer is that Israeli king and Israeli servant alike, their Roman oppressors, and the leader of that army, are now mere spectres. They do not walk the rocky grounds and earthy rooms of Masada. No. They just flitter in our imagination as we attempt to cover them in bones and sinew, and imagine the workings of iron age brains, as we try to place them in that setting of rocky ground and earthy rooms, the same ones that, no matter how weathered with time and wind, outlasted them. But, not in our minds.

Saturday, March 28, 2015

Geography of Love

Allow me please to get lost in your hair. 
I promise you won’t even know I am there 

Lest you think you might like to play coy, 
Then I’ll swing from a strand like a casual toy. 

If you can, don’t let me get lost in your eyes. 
Or I’ll lock myself in while the land around lies. 

Held captive, I might not get where I want 
And the lay of the land will tease at and taunt. 

For I must scale in time those highest of peaks 
Where panting breaths sound a yodeling speech. 

From there I’ll come down the mountains with care 
Where the stretches of heath lay boundless and bare. 

I’ll stay for a while on the flattened expanse 
Where softer breaths swirl in much plainer dance. 

God! Give me consent to your yawning thighs 
Where I’ll open that cave with lurid-like sighs. 

Then let me please go where no one does pass. 
With tongue, like a blade, I’ll mow down the grass. 

The permission you give to enter your lair 
Is heavenly sent and utterly fair. 

Some say this is like a descension to hell. 
The riddle though is if I walked or I fell. 

Yet if this is the way, I haven’t been told 
And all I can say is I’ve mapped my own road.